The Weight of Conscience: Reflections on Crime and Punishment
After finishing Crime and Punishment, I’m still sitting with the chaos inside Raskolnikov’s mind. The way he plans the murder is disturbing, not because it’s brilliantly calculated like in typical crime stories, but because it’s fragmented and unstable. He drifts toward the idea almost unconsciously, pulled by pride, desperation, and a theory he clings to just to feel in control. Before the murder even happens, his mind is already unraveling: full of anxiety, doubt, and a sickening fear of his own intentions. It’s clear he isn’t driven by logic, but by a frantic internal storm he can barely understand himself. During the murder, everything spirals into panic. He acts mechanically, as if watching from outside his own body. And the moment Lizaveta appears, an innocent soul caught in the wrong place, the illusion collapses. All his theories about extraordinary individuals, about serving some greater good by eliminating the pawnbroker, disintegrate instantly. Nothing about the crime i...