Movie Journal | The Burden Of The Protected Child
Directed by Sofia Coppola I just finished The Virgin Suicides two nights ago, and it left me in a melancholic state. I am haunted by the hazy atmosphere of the movie, the dreamlike portrayal, and the isolation of the Lisbon girls, as well as the way the boys next door narrate and recall the girls and their tragic ending. The boys’ narration reminds us that memory can be both tender and cruel—heartwarming like a warm summer afternoon, yet piercing like a cold winter evening. They describe the girls in a way that makes them appear mysterious, almost mythical, and I found myself perceiving them as angels suspended in time. Lux Lisbon’s eyes, as seen through the boys’ memories, embody this paradox. Their gaze freezes the sisters into symbols of beauty and longing rather than full human beings. The girls were denied the chance to live ordinary lives, and in the boys’ recollections, they are denied the chance to be understood deeply. They remain forever enigmatic, trapped in the amber of no...